Thomas Arthur Schaefer

Tuesday, August 31, 2010

Accessible Consumer Charges

Photo from Kutzbach. Definitely a dark day in Buffalo, NY.
I find the hand written signs on both of these machines pretty interesting. Notice how they were done by the same person... presumably at the same time, yet on the one to the right, they break the wording after 'of'. As a person who deals with type all day and the repetitive act of mark making in my art I find it funny that both hand written signs do not match each other identically. It makes me wonder which one was written first.
These are some of the many observations and thoughts that go through my head on a daily basis. Real interesting right.
BARKER - Pepto-Bismol Varient 10 (4x6 postcard)

Monday, August 30, 2010

Locations Might As Well

Got an envelope piece of art in the mail from Barker today. It's a pretty great mail piece. A lot happened to it on it's trip to my mailbox.
It got this great sticker placed on the front of it because Barker did some interesting things:

1. Wrote my address out as 69 Golden Pine Rd... instead of the correct 59 Golden Pine Rd.
2. Put a street abbreviation and then crossed it out and wrote Ha Ha! next to it.

Real good work Barker.
I've been instructed by the USPS to notify you Aaron Barker, the sender, of my complete and correct address. It is as follows:

Thomas Arthur Schaefer
59 Golden Pine Road
Austell, Georgia 30168

01. chicken breasts
02. cheese
03. ice cream
04. frozen foods
05. salad
06. garbage can
07. rubber boots
08. blls wire
09. butter
10. juice
11. stomach medicine
12. eggs eggs
13. cookie dough
14. tea
15. salsa
16. tortillas
17. olives
18. bbq sauce
19. freezer bags
20. toilet paper
21. laundry detergent
22. super glue
23. bread
BARKER - Pepto-Bismol Varient 09 (4x6 postcard)

Friday, August 27, 2010

Operation Out Of

Busy working on a few fresh sets of cards. Doing my recycled materials postcards for a number of these. There are some coming up that I'm creating with oil painted portraits different people and another set with some colored pencil portraits. Trying to make sure and take a little more time with my old school techniques on some of these this round.
Figured out what to do with a large amount of rejected drawings I've done. These (3) were from 2004. Just fold them in half. Glue together. and cut a postcard out of it. WHAM! Instant two-sided postcard. I like this method of working a lot. The drawing all had small areas that were interesting but as a whole the entire composition did not gel. By forcing the piece to be folded in half and then giving oneself a limited amount of space in which to select/crop/cut the postcard shape you accomplish two things:

1. You allow for the "small area" to take on more power by splitting the composition space surrounding it by less than half the original composition. A smaller more focused composition is thus generated.

2. You create 2 like, but broken sides that tend to already play with each other back and forth without having to create 1 side and then the other. In short... you are creating both the front and the back of the postcard in one process.

Thursday, August 26, 2010

Radio Friends Make It

BARKER - Pepto-Bismol Varient 08 (4x6 postcard)
STRICKLAND - Abstract 02 (abstract postcard)

Wednesday, August 25, 2010

Pulse Called Due To Pronounced Clearing

Just got my vintage set of EROS in the mail today. This is the full set too, in pretty great condition. Volume One, Number One was issued on Valentine’s Day 1962.

In 1962, Ralph Ginzburg began publication of his first major work, Eros, which was a quarterly hardbound periodical containing articles and photo-essays on love and sex. Herb Lubalin was the art director and second on the masthead. Only four issues of Eros were published, largely because Ginzburg was indicted under federal obscenity laws for the fourth issue.

No. 1 (Spring, 1962)
The cover was mustard-coloured and featured "an embossed playing card of Bluebeard and one of his maids". The issue included short stories by Ray Bradbury and Guy de Maupassant, an extract from Eric Partridge's "vulgar dictionary" and poems by John Wilmot, 2nd Earl of Rochester.

No. 2 (Summer, 1962)
The cover of No. 2 pictured a young couple in swimsuits, kissing passionately; it was printed in two colors, black and greenish-yellow, with a red-orange logo. The inside covers repeated the theme in red (front) and blue (back). It featured photo essays about John F Kennedy, French prostitutes and erotic statues in India, the first publication in a magazine of Mark Twain's short story "1601" and "an antique patent submission for a male chastity belt"

No. 3 (Autumn, 1962)
Issue no. 3 was centred on an 18-page photo shoot of the recently deceased Marilyn Monroe (the pictures were taken by Bert Stern six weeks before her passing). It also featured a piece by Bonnie Prudden, an extract from Fanny Hill and an article on Samuel Roth.

No. 4 (Winter, 1962)
This issue published a letter by Allen Ginsberg, a profile of Frank Harris, and 'an eight-page "photographic tone poem"' titled "Black and White in Color" featuring a nude interracial couple.

Some pages from Marilyn's last studio photo shoot, also her last nude shoot. These layouts are great. The scratches and orange crosses on many of the photographs are not defects. They were made by Marilyn Monroe herself, her own reactions to various shots that showed a strand of hair out of place or a pose she felt was somehow awkward. The publishers thought her markings were so interesting that they decided to leave them in.

U.S. Attorney General Robert Kennedy indicted Ginzburg for distributing obscene literature through the mails, in violation of federal anti-obscenity laws. The indictment, although full of counts, really comprised three allegations of obscenity: First, publication of Volume I, No. 1, of Eros; second, publication of his newsletter Liaison; and third, that although The Housewife's Handbook on Selective Promiscuity, published by Ginzburg, was not itself obscene because of its inherent artistic value, Ginzburg has mailed advertisements for the book which accentuated the erotic content of the book in such as way as to appeal to "prurient interests". The advertising emphasized their sexual imagery, and included a guarantee of a full refund "if the book fails to reach you because of U.S. Post Office censorship interference."

The following were the portions of the advertisements that the district court found to "pander to prurient interests":

"Eros is a child of its times. . . . [It] is the result of recent court decisions that have realistically interpreted America's obscenity laws and that have given to this country a new breadth of freedom of expression. . . . EROS takes full advantage of this new freedom of expression. It is the magazine of sexual candor."

"EROS is a new quarterly devoted to the subjects of Love and Sex. In the few short weeks since its birth, EROS has established itself as the rave of the American intellectual community - and the rage of prudes everywhere! And it's no wonder: EROS handles the subjects of Love and Sex with complete candor. The publication of this magazine - which is frankly and avowedly concerned with erotica - has been enabled by recent court decisions ruling that a literary piece or painting, though explicitly sexual in content, has a right to be published if it is a genuine work of art. EROS is a genuine work of art. . . ."

The outer envelopes of the Liaison flyers asked, "Are you among the chosen few?"

The first line of the Liaison advertisement: "Are you a member of the sexual elite?" . . . "That is, are you among the few happy and enlightened individuals who believe that a man and woman can make love without feeling pangs of conscience? Can you read about love and sex and discuss them without blushing and stammering? If so, you ought to know about an important new periodical called Liaison. . . ."

"In short, Liaison is Cupid's Chronicle. . . . Though Liaison handles the subjects of love and sex with complete candor, I wish to make it clear that it is not a scandal sheet and it is not written for the man in the street. Liaison is aimed at intelligent, educated adults who can accept love and sex as part of life. . . I'll venture to say that after you've read your first bi-weekly issue, Liaison will be your most eagerly awaited piece of mail."

The defendants sought mailing privileges from the postmasters of Intercourse and Blue Ball, Pennsylvania, before settling upon Middlesex, New Jersey, as a mailing point.

Inserted in each book advertisement was a slip labeled "GUARANTEE" and reading, "Documentary Books, Inc. unconditionally guarantees full refund of the price of THE HOUSEWIFE'S HANDBOOK ON SELECTIVE PROMISCUITY if the book fails to reach you because of U.S. Post Office censorship interference."

It was this last act which was most important to the legal community, because it established new law: although neither the book nor the advertising mailer were themselves obscene, the advertisement attempted to sell the book by characterising it as obscene, which violated the federal law (and was permissible under the First Amendment). Writing for a 5-4 majority, Justice Brennan held that in a close case, evidence that a defendant deliberately represented the materials in question as appealing to customers' erotic interest could support a finding that the materials are obscene. He wrote: "Where the purveyor's sole emphasis is on the sexually provocative aspects of his publications, that fact may be decisive in the determination of obscenity" even if the publications examined out of context might not be deemed obscene. Ginzburg was sentenced to five years in prison but ultimately served only eight months.

The case was clearly a troubling one for the Supreme Court. Even the prosecutors feared that all three publications had enough intrinsic artistic and social value to pass the Roth test, which was at that time the standard by which the Court decided criminal obscenity cases.

After a brief trial in June, 1963, Ginzburg was convicted in Philadelphia by the U.S. District Court for the Eastern District of Pennsylvania. The U.S. Court of Appeals for the Third Circuit affirmed the conviction in 1964, and two years later the U.S. Supreme Court announced its decision, also affirming the conviction, in Ginzburg v. United States, 383 U.S. 463 (March 21, 1966). The same day, the Court announced its decision in Memoirs v. Massachusetts (commonly known as the "Fanny Hill case" after the informal title of the John Cleland novel at the heart of the judgment). This case declared that the First Amendment would not allow a work to be banned unless it was "utterly without redeeming social value"—a legal proviso that troubled some commentators, who felt that Ginzburg had been convicted for three works they deemed more "socially valuable" than Cleland's antique work of unvarnished erotica.

Immediately after the Supreme Court decision was announced, the public and mainstream press were heavily supportive of the decision. One person who had no problem supporting Ginzburg was Allen Ginsberg, who traveled to Washington and picketed the Supreme Court building.

Monday, August 23, 2010

Banging Three Times

Making new postcards. Lots of porno and paper.

BARKER - Pepto-Bismol Varient 07 (4x6 postcard)
KANKA - Daddy Lynch Long-legs (3x4 postcard)
STRICKLAND - Abstract 01 (abstract postcard)

Sunday, August 22, 2010

Friday, August 20, 2010

Deliberate Confusion Of Memory

BARKER - Pepto-Bismol Varient 06 (4x6 postcard)

Thursday, August 19, 2010

Adjacent Frozen Shafts

BARKER - Pepto-Bismol Varient 05 (4x6 postcard)
KANKA - Girl Red (abstract postcard)

Wednesday, August 18, 2010

Hour Pleasure

How a Mac user deals with a shitty Windows keyboard when using Photoshop on a shitty Windows machine.

BARKER - Pepto-Bismol Varient 04 (4x6 postcard)
KANKA - Blue Vegas Girl (abstract postcard)

Tuesday, August 17, 2010

Block Out The Neighbors

Some saki and Sapporo while starting to put together a really large set of new donut frames. Going to be rolling out a few hundred new ones over the next few months. They will all be available for purchase online. Good times with food!

Thursday, August 12, 2010

Closed Wall Discussion

BARKER - Pepto-Bismol Varient 03 (4x6 postcard)

Tuesday, August 10, 2010

Wearing Lance Henriksen's Boots

BARKER - Pepto-Bismol Varient 02 (4x6 postcard)
KANKA - Black Cat (3x5 postcard)

Monday, August 09, 2010

Inherited Assumptions Of Albert Barnes

BARKER - Pepto-Bismol Varient 01 (4x6 postcard)
KANKA - Firecracker Test (3x5 postcard)